GISELE BRELET PDF

Grove is a registered trademark. French musicologist and pianist. She studied the piano at the conservatories of Nantes under G. She published extensively in the aesthetics of music, with special emphasis on the status of music as the art of time and on the privileged role of the virtuoso performer. Her three books develop a single argument. The first contrasts the traditional poetics of music, according to which a system of intervals forms the basis of harmonic and melodic structures, with an alternative poetics of temporal form.

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Grove is a registered trademark. French musicologist and pianist. She studied the piano at the conservatories of Nantes under G. She published extensively in the aesthetics of music, with special emphasis on the status of music as the art of time and on the privileged role of the virtuoso performer. Her three books develop a single argument.

The first contrasts the traditional poetics of music, according to which a system of intervals forms the basis of harmonic and melodic structures, with an alternative poetics of temporal form.

The second book elaborates this theme into an encomium on music. Since time is the form of the inner life, music must be the most perfect art, for it directly imparts formal perfection to experience itself.

From this standpoint, modern non-tonal music appears as aberrant, since the absence of a tonal centre eliminates expectation and thus makes significant temporal form impossible. The third book uses this view of music to prove that the virtuoso performer is the only true musician. Music, being a form of temporal experience, can exist only as and when it is performed.

The composer merely provides possibilities which he leaves to performers to actualize in various ways. You do not currently have access to this article Login Please login to access the full content.

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GISELE BRELET PDF

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