LIBER CANTIONES PDF

They date from the end of his life, contemporary with his last books of madrigals and with the Tenebrae Responsories, two of which are also heard here as a frame for the program. The second book of these Sacrae Cantiones came down to the present in an incomplete state, with two or one of the parts missing. Igor Stravinsky took a stab at completing them in the s, getting results that were more Stravinsky than Gesualdo , but not until now has the entire set been available, thanks to the years-long efforts of the conductor on this recording, James Wood. Wood is a Gesualdo specialist, and from all appearances he has done an incredibly painstaking job; there is not a note on the album that seems out of place. Some of the Tenebrae Responsories seem like agonized acts of repentance by a composer troubled over past deeds he killed his wife and her lover, and hung the bodies in front of his castle , but these works are more restrained. They are, however, equally innovative in terms of vertical sonority; often they go right up to a point where a madrigal would become hyperexpressive, but then end the phrase calmly.

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They date from the end of his life, contemporary with his last books of madrigals and with the Tenebrae Responsories, two of which are also heard here as a frame for the program.

The second book of these Sacrae Cantiones came down to the present in an incomplete state, with two or one of the parts missing. Igor Stravinsky took a stab at completing them in the s, getting results that were more Stravinsky than Gesualdo , but not until now has the entire set been available, thanks to the years-long efforts of the conductor on this recording, James Wood.

Wood is a Gesualdo specialist, and from all appearances he has done an incredibly painstaking job; there is not a note on the album that seems out of place. Some of the Tenebrae Responsories seem like agonized acts of repentance by a composer troubled over past deeds he killed his wife and her lover, and hung the bodies in front of his castle , but these works are more restrained.

They are, however, equally innovative in terms of vertical sonority; often they go right up to a point where a madrigal would become hyperexpressive, but then end the phrase calmly. Wood and the Vocalconsort Berlin do well to arrange the material by textual theme; they differentiate among them nicely. Even the "Despair and Weeping" section does not enter the world of the late madrigals; instead the music shows Gesualdo the master contrapuntist, applying the lessons of a lifetime.

Highly recommended on all fronts. Track Listing.

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